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This particular kit, One Kit Wonder: Modern Fusion is inspired by contemporary progressive fusion artists, where the music demands a clean and glossy drum sound that nevertheless retains an organic timbre and wide dynamic range.

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In the creative process, itвЂ™s crucial there is as little time wasted between the moment inspiration strikes, and how important it is to capture and hear your ideas sounding polished and professional as soon as possible, so you stay excited as you develop the ideas further.ДЄnd this is where One Kit Wonder comes into play - each kit is captured to the same level of detail as our other libraries, BUT theyвЂ™re also fully mixed and ready to go so you can dive straight into the writing process, with your ideas immediately sounding amazing.

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We at GGD are elated to introduce One Kit Wonder - a series of drum libraries inspired by the many GGD users who use our drums for songwriting.

Master EQ, Parallel Compression and Reverb built-in.

Fully compatible with Native Instruments hardware.

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Kontakt PlayerВ Library - no additional software needed.You know what's a great song? The Killing Moon. I guess The Smiths are like, more melodic? Maybe? Idk. Robert Smith has a beautiful voice but I just haven't been able to get into their stuff as compared to The Smiths. People have been doing goth Asuka edits and I think its kinda cringe but this one wasn't that bad. I wasn't able to practice anymore cause it'd annoy my family. It's the same reason I stopped playing piano when I was 6. It's pretty ridiculous, you know? I didn't think I'd be in this situation again at 22 years old. Same reason why I don't use my MIDI keyboard either.

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Learning guitar probably would be pretty helpful yeah but I don't know what the situation is like with the guitar we have in the house and again, with no free space or time I don't really have anywhere I could practice. Yeah I understand, its why I'm gonna use the Spitfire guitars and hope it helps a bit. Take this with a grain of salt though as I always err towards concision but I feel most /prod/ucers could probably make there tracks a bit shorter unless truly interesting things are happening.ДЄ lot better than the other track though and still a decent track overall. I think the end is a lot better but you could still probably flesh it out more and made it take up more of the song

Music needs to keep you occupied and even having 25 seconds where nothing is really happening and the soundscape is relatively plain like in the first minute and a half of that track it makes it hard to make it to the end. and make that portion of the song longer as it is the most interesting bit. I would make the transition to adding the rest of the sounds at around 1:45 happen earlier. The evolution of the rest of that sound at that point is nice but not enough to really fully retain the interest. But then the next bit the melody sound does not really evolve so it feels a bit repetitive.

The beginning is just a little long, though the transition to the melody sound is nice. >Music theory for musicians and normal people: !wEVAVbgB!hwd7vmzaZ9C6wAnVbqIQt37pNUpfpn0t2ecSjZGRNe4 >Mixing Secrets for The Small Studio, Mike Senior: !ZAE2EBCb!r0Hf0gho8pL7BlBJ6-6rJznB9SEhCG31NzNJUJX34tU >The Secret of the Mastering Engineer, Bob Katz: !YUkgCJpR!bTX1gzqhD7fozTipk4XsRNiWQmHQXBx0T4pHMRvaURw

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